John Tilbury

The Tiger’s Mind (2019)

Artikelnummer CR372

CD Edition

veröffentlicht am 15. März 2019

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The Tiger’s Mind is an inspirational text (‘score’) where improvising musicians can find hints, pointers, images, metaphors, which can draw them into an unfamiliar orbit where they can respond and react to the characters which feature in the narrative: the insensate tree, the insubstantial wind, the abstract circle, the tiger, the human being (Amy) and the Mind, a ‘non-entity’, hard to recognise. In my performance in Bern Cathedral I introduced pre-recorded sounds of fire, water, birds, and various unidentifiable sounds; the grandeur, as well as the intimacy, and of course the marvellous acoustic of the Cathedral suited these sounds well and people in the ‘congregation’ would look up to spy the birds (the ‘sounds’) they could hear which, they thought, had found solace and freedom amidst the Cathedral’s rafters. By contrast, and felicitously, the grand piano was less dominant than in a concert hall where it always assumes centre-stage.

The Tiger’s Mind is in two parts. Here, I perform part 2, Nightpiece, although the early hours of Daypiece may well encroach upon it. 

The text reads beautifully and demonstrates Cardew's poetic flair, the characters etched with an economy of expression and felicitous turn of phrase: Nightpiece. The tiger burns and sniffs the wind for news. He storms at the circle; if inside to get out, if outside to get in. Amy sleeps while the tiger hunts. She dreams of the wind, which then comes and wakes her. The tree trips Amy in the dark and in her fall she recognizes her  mind. The mind, rocked by the wind tittering in the leaves of the tree, and strangled by the circle, goes on the nod. The circle is trying to teach its secrets to the tree. The tree laughs at the mind and at the tiger fighting it.

John Tilbury, Oct 20th 2019

Audio

Ausschnitt 1

Ausschnitt 2

Ausschnitt 3

Ausschnitt 4

Ausschnitt 5

Ausschnitt 6

Über den Interpreten

John Tilbury ist bekannt für seine unvergleichliche Interpretation der Klaviermusik von Morton Feldman, John Cage, Christian Wolff und Howard Skempton. Neben den Aufführungen und bahnbrechenden Aufnahmen, die er von den Werken dieser Komponisten gemacht hat, ist er ein eloquenter Verfechter ihrer Musik in seinem Schreiben und Sprechen über sie. Gleiches gilt für die Aufmerksamkeit, die er der Musik und den Ideen von Cornelius Cardew gewidmet hat, dem Thema seiner 2008 veröffentlichten autoritativen Biographie, mit dem er in den legendären Improvisationsgruppen Scratch Orchestra und AMM spielte. In den letzten zehn Jahren hat John Tilbury eine Reihe von Theaterstücken und Prosa-Stücken von Samuel Beckett aufgeführt.